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This is the same artist who performed the themes for shows like Perfect Strangers, Family Matters, and Step By Step. However, a different artist performed the theme song for the Netflix spinoff series, Fuller House. Here’s what we know about this iconic sitcom and the artist behind its opening credits song.
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In the first season, it was a slightly shorter version without the memorable guitar riff that was later added in subsequent seasons. In the second verse, Swift confesses, "I keep these longings locked / In lowercase inside a vault." This is a clear nod to her "Taylor's Version" series. These albums are rerecorded and rereleased with extra songs attached, labeled "from the vault," meaning they were cut from the original albums. The implication is that Swift has written songs about this person before, but chose not to release them at the time.
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"I kept calm and carried the weight of the rift," Swift sings in the first verse, nodding to the British wartime slogan "Keep Calm and Carry On." Swift compares herself to a toy, "the sickest army doll," possibly as a nod to the "Midnights" vault track "You're Losing Me" ("My face was gray, but you wouldn't admit that we were sick … And all I did was bleed as I tried to be the bravest soldier"). Her recent works have explored a more nuanced, cynical view of the institution. The 2020 album "Evermore" was full of apathy and betrayal, which Swift described as an "anthology of marriages gone bad." In the "Midnights" opener "Lavender Haze," Swift denounced domesticity as "the 1950s shit they want from me." The "Fortnight" music video makes this allusion explicit, opening with Swift trapped in an asylum. This imagery will reappear in track 10, "Who's Afraid of Little Old Me?" ("You wouldn't last an hour in the asylum where they raised me").
"I Can Do It With a Broken Heart" is about performing through the pain, specifically during The Eras Tour.
"I Can Fix Him (No Really I Can)" concludes the album's outlaw trilogy. Swift begins to acknowledge issues with her lover's behavior, like him chain-smoking cigarettes and making "revolting" jokes. The first verse of "Fresh Out the Slammer" seems to run through a litany of references to previous songs in Swift's catalog. "Splintered back in winter" is an echo of the cabin creaks in "Evermore," while "Silent dinners, bitter" is an apt summary of "Tolerate It." After Swift's split from Alwyn made headlines last year, she swapped the love song "Invisible String" on The Eras Tour setlist for "The 1," an existential breakup ballad ("It would've been fun / If you would've been the one").
"The Tortured Poets Department" contains a tragic reference to marriage.
In the album's "Summary Poem," Swift also refers to herself as a "caged beast" who was driven to do "the most curious things." Swift also refers back to the mock wedding scene in the title track. After getting out of jail, she sits in the open air with her paramour, "wearing imaginary rings." Swift cites this song title in the album's "Summary Poem," which is included with physical copies.
Were there any changes made to the song throughout the show’s run?
Swift previously expressed her fear of being discarded and replaced in the "Red" vault track "Nothing New" ("She'll know the way and then she'll say she got the map from me / I'll say I'm happy for her, then I'll cry myself to sleep"). Healy has written about using cocaine ("Ugh!"), mixing pills with wine ("Playing On My Mind"), fighting an addiction to heroin ("It's Not Living," "Medicine"), and eventually going to rehab ("Surrounded by Heads and Bodies"). Indeed, Swift has demonstrated an attraction to danger, as in "Treacherous" ("This hope is treacherous / I like it") and "New Romantics" ("We need love, but all we want is danger").
The updated Fuller House theme song
One song that has always resonated with me is “Everywhere You Look”, the iconic theme song from the hit TV show Full House, performed by Jesse Frederick. This song holds a special place in my heart, not only because of its catchy tune but because of the deeper message it conveys. Almost every episode of this series starts off with the iconic title sequence, complete with the cast members smiling and the Full House theme song. The original Full House theme song, “Everywhere You Look,” was written by Jesse Frederick and Bennett Salvay and performed by Jesse Frederick.
It became synonymous with Full House and is instantly recognizable to fans worldwide. The series revolves around the life of widowed father Danny Tanner and his three daughters, as well as the comedic and heartwarming moments shared with his brother-in-law Jesse Katsopolis and best friend Joey Gladstone. Full House became a cultural phenomenon, known for its family-oriented storytelling and memorable characters.
"I Can Fix Him (No Really I Can)" portends the end of Swift's unruly relationship.
The song was written to capture the essence of Full House, conveying a sense of family, love, and support that resonated with viewers. Co-written by Jesse Frederick and Bennett Salvay, the original Full House theme song — "Everywhere You Look" — wasn't that great of a tune when the show premiered in 1987. However, the songwriters struck a literal and figurative chord with audiences by delivering a formulaically catchy song right from the opening riff.
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"Still alive killing time at the cemetery / Never quite buried," she sings in the chorus of "Loml," a clear callback to the "Folklore" opener ("In my defense I have none / For digging up the grave another time"). Keep reading for a breakdown of the standard tracklist, including key lyrics and themes. “Everywhere You Look” was released in 1987 as the theme song for the first season of Full House. In season eight, the first verse was skipped completely and started with "Ahh, ahh" and the chorus, as the show's logo swirled toward the center (like in the teaser shot). "Cringe is unavoidable over a lifetime," Swift said in 2022 during her NYU commencement address. "I had a phase where, for the entirety of 2012, I dressed like a 1950s housewife. But you know what? I was having fun. Trends and phases are fun. Looking back and laughing is fun."
In that same album, Swift pledges to marry her partner with "paper rings." Swift herself described the album as "a summary of my findings" after two successive heartbreaks — and a lifetime in the spotlight — full of "muses, acquired like bruises, talismans and charms." I first heard this song on a rainy afternoon while browsing through some old records at a friend’s house. As the needle dropped on the vinyl, the familiar melody filled the room, instantly transporting me to the warm, wholesome world of Full House. This show, with its lovable characters and heartwarming storylines, became a part of my childhood, and “Everywhere You Look” became its anthem.
"Me and my ghosts, we had a hell of a time / Yes, I'm haunted, but I'm feeling just fine," Welch sings, an apparent nod to Swift's hit single "Anti-Hero" ("When my depression works the graveyard shift, all of the people I've ghosted stand there in the room"). In the final verse, Swift's new lover calls her "the girl of his American Dreams." The album isn't ordered chronologically, so we already have an inkling this will all fall apart, thanks to the foreshadowing in track one ("Another fortnight lost in America"). Most interestingly, Swift repeatedly refers to her lost lover as her "twin," recalling a key lyric in the "Evermore" bonus track "It's Time to Go" ("Not a twin from your dreams / She's a crook who was caught"). The character Uncle Jesse, portrayed by John Stamos, was a musician who had his own band — Jesse and the Rippers, which later became Hot Daddy and the Monkey Puppets.
With clouds as mean as you've ever seenAin't a bird who knows your tune.Then a little voice inside you whispers,"Kid, don't sell your dreams, so soon." On syndicated repeats, there is a truncated version of the closing theme used in the bumper, featuring the white logo center-aligned towards the top, or the yellow logo in its normal position, depending on the season. On occasion, Dave Coulier can be heard saying "Full House will be right back." Swift revisits the theme of addiction in one of the album's deluxe tracks, "Chloe or Sam or Sophia or Marcus" ("You needed me, but you needed drugs more").
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“Everywhere you look, everywhere you go, there’s a heart, a hand to hold onto. Everywhere you look, everywhere you go, there’s a face of somebody who needs you. Everywhere you look.” These lines emphasize the importance of connection and love in our lives. They remind us that no matter where we go or what we face, there will always be someone who cares for us and needs us. Jesse Frederick also contributed theme songs to other popular TV shows, such as “Step by Step” and “Family Matters,” further solidifying his impact on the world of television music.
"I'm telling him to floor it through the fences / No, I'm not coming to my senses," she sings in the chorus, conjuring the image of "Getaway Car." "I know he's crazy but he's the one I want." Another line, "Down bad, waking up in blood," seems to borrow reddish imagery from "Maroon" ("I wake with your memory over me"). Meanwhile, she compares her past lovers to male Barbies, singing, "I felt more when we played pretend / Than with all the Kens." She previously used this metaphor in "Hits Different" ("I used to switch out these Kens, I'd just ghost"). Jesse Frederick himself performed the vocals for “Everywhere You Look,” showcasing his talent as both a singer and songwriter.
Old Time Music is proud to have such a passionate and talented team of writers who share their love for music with our readers. We hope you enjoy the articles and insights they bring to our platform. Yes, “Everywhere You Look” by Jesse Frederick is available on various music streaming platforms, allowing fans to relive the nostalgia and enjoy the song whenever they want. Yes, there is a full-length version of “Everywhere You Look” that was released as part of the show’s official soundtrack.
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